Research question?

For Research Methods unit, I decided to continue on my study proposal: to create a space for individuals, Indonesian youth to be exact, to do self-expression.

Self-expression and representation is an important discourse in my country right now, particularly for the younger generation. As a conservative country with a Moslem majority, people are not very welcome to the new wave of youth; individuals who express themselves differently–whether through clothes, body image, sexuality, etc.

I followed the study proposal at first, looking at what makes a ‘fashion capital city’ from the book Fashion Cultures Revisited.

Notes I got from Fashion Culture Revisited. There are some factors that make a city titled ‘fashion capital’. The first one is a geographical part, most of the capital cities belong into 85 – 52 degrees latitude, which means they have four seasons and are relatively cold countries. If compared to my country, this seasonal rhythm is something impossible since Indonesia is a tropical country and only has two seasons. As for specialist workshop or individual craft workers, clustering of designers, entrepreneurs, and garment trade workers, Indonesia has it. But I need to make sure if there’s a standard to decide whether Indonesia really has it. But in the end, I think comparing the capital cities to Indonesia left me with a huge gap and the problem lies within it may vary and too much for me to research.
Mind map and scribbles of my thoughts

In the Fashion Cultures Revisited, there’s a paragraph that talked about how the fashion on the street moves to the catwalk. The liveliness of street style affected the style on the runway. That is also one thing that Indonesian doesn’t have: the street in street style. Besides the hot weather, we barely have any pavement to walk on. You can see sidewalk on a big street or business area. But it’s nonexistent on the others. We have a lot of backstreets as well, sometimes only the size of a motorcycle or a person. Pedestrian often walk with motorcycles or bump to street vendors. Our fashion is happening inside the building; malls, cafes, events, or the most pivotal one: the internet. I had worked as a writer on a teen fashion magazine in Jakarta before and I had to fill the street style column by looking for teens with ‘style’, and I found all of them inside malls and fashion event–never on the street. This argument also supported by an essay by Brent Luvaas called “Shooting Street Style in Indonesia: A Photo Essay”. Luvaas found it difficult to photograph ‘street style’ cause it’s hard to discover ‘cool’ people on the street. Thus the definition of ‘street style’ in Indonesia became blurry too.

Another thing I noticed as a hurdle is how hard it is to get academic research on fashion–specifically on the topic sociology on fashion. I tried the e-source from UAL but mostly saw about modest fashion, e-commerce, and business side of fashion in Indonesia. So I only have a few resources that I can rely on.

I tried asking my friends through an Instagram story on the topic. Around 10+ people replied and I was surprised how open and frustrated people are about self-expression in Indonesia. I discovered some similar patterns from their stories. Most of them are uncomfortable with people staring at them because they feel like they’re being judged for something wrong. Especially for the women, they feel unpleasant when they walk on the street or ride public transportation because they got catcalled or harassed. Their closest environment (family, friends, colleagues) also put pressure on them, trying to ‘correct’ their appearance to make them look the same as everybody else. This is why I feel the power of the gaze and social conformity are two of the biggest issue that affected how people present themselves on the outside.

The internet exposed Indonesian youth to different styles or forms of self-expression yet they’re niche compare to the vast population. Individuals who dare to challenge the mainstream current is called nonconformist. I decided that the keyword for my research is ‘millennials and gen z nonconformist self-expression through fashion in Jakarta’. But nonconformist here still have a broad definition, that is why I try to narrow it down by demographic: half millennials and gen Z who live in Jakarta. The conformist should be defined too because depending on the social group or geography, they can change. I can narrow it down by industry (one of my respondents is a rapper and he usually performs in office working attire–shirt and structured trouser–while most people in the community wear oversized, baggy clothes), religion (especially for women who chose to not wear hijab), or social. I still can’t decide which to focus on. I am interested to look at the issue on Moslem conform since it’s the most apparent (you have to cover yourself, can not have tattoo(s), prohibited to change your body parts, etc) but it will be very liberal and I need a lot of strong backups regarding the topic as it’s a sensitive one.

The feedback I got from presenting my initial idea on the research questions. From there I tried to explore more and create some research questions. A lot of thoughts on the nonconformist and conformist; for the conformist–is there any difference between those who live/have lived abroad and those who live in Indonesia? For those who conform, whether it’s family, friends, or colleagues, is there any difference between those who conform but okay with people not conforming and those who conform but not okay with people not conforming?

I still have a long way to go to discover my specific research topic but I feel like I’m getting there.

Stereoscopic Image

At the end of Tim Walker’s V&A exhibition, there’s a sign that shows another part of V&A Museum that we should look up to. I went to the photography gallery on the upper level, and found a section of stereograph images made in the past.

As I was just started to get my interest in 3D, VR, and AR, this collection delighted me. I knew the existence of stereograph images before this, but never realise that it is very interesting. And to discover that it’s an ancient technique was just another surprise. I feel the necessity of learning about stereoscopic images because it gives a sense of 3D world that VR offers and it will add another type of output I can produce for my work. In addition, I found that stereoscopic images can be made into .gif format. So you have a digital version that allows you to see the effect without using cards or telescope.

Example of stereoscopic cards and telescope

I tried to search on how to produce such images and turned out I need a stereoscopic camera. The OG one is Nimslo, and the better later generation is Nishiki N series, particularly the Nishiki N8000. I wanted to buy one of them, but both cost a lot. Then I found a company from Hong Kong, funded by Kickstarter, that currently making the ‘modernised’ stereoscopic camera, called Reto. The camera also comes with an app with the same name, and it eases the process of making digital .gif. The camera costs a lot cheaper than Nimslo and Nishiki, but I read some reviews that said the quality isn’t as good as its predecessor (well, figures). I am still contemplating on which camera to buy, but I tried experimenting with the app on my phone.

I think I’ll need a lot of practices to reach the perfect stereoscopic effect. For now, I’ll continue experimenting before I decided on which camera to get. I’d love to create media production with this technique in the future!

The Hidden Self

For the object story project, I teamed up with Jack and Yve. Initially, I attracted to Jack’s story about his box–how it could be perceived as something different if seen from another perspective. I immediately thought of Issey Miyake’s origami pieces and Oskar Schlemmer’s Triadisches Ballett.

Issey Miyake’s origami bags and dresses

For the project, I am thinking of making something based on the psychology of shape and colour. But Jack and I came to the conclusion that it would be quite difficult to execute. He also wanted to highlight the philosophy behind the box, and not the box itself. Yve then came into the group and added her own object story: illusion, a dream and reality, a concept of betrayal. With a mix of abstract ideas, we tried to search for common ground.

The starting point came from me. I realized when our class present their object, the object itself became something of identity and broke my prejudices about them. Later my flatmates did a room tour and some of their room looked completely different than I anticipated.

One of my flatmates, Ellen, in her room. She’s a BA Costume for Performance student who loves photographing her friends and she can fly a plane!
One of my flatmates, Sophie, in her room. From the outside, she seems like a bubbly, talkative, fierce girl. Her room shows otherwise, it’s very neat and she has a lot of knitting and sewing stuff, as she does her BA in Embroidery.

This intrigued a question on my mind: if one stripped bare, would we be able to identify them? How important is an object to identity? I found a photographer from China, Huang Qingjun, who has been photographing Chinese families with their household possessions in front of their house. It’s interesting to see how objects can differentiate one with another and even tell others about their social status and financial condition.

Based on my idea, we explored some possibilities for the outcome:

I have different ideas from targeting international students to tell stories of their object that has sentimental value and/or help them cope with cultural shock. This idea could be used as a campaign for student accommodation. Another idea is to have multiple illustrations/photographs of someone from different perspectives.
Another inspiration, a campaign “Living is Winning” by La Cimade.
We combined Yve’s idea, we were thinking of adding mirror to represent the sense of illusion and betrayal from Yve’s story. The subject would stand in front of a mirror, and the camera would move slowly from one standpoint to another. And when the camera moved completely, the subject’s objects will be seen and reveal the subject’s hidden self. But doing this requires a big mirror, studio, and proper camera so we eventually ditched the idea.

After a lot of considerations, we chose to present a video about prejudice. How you perceived someone’s outer self or their “ephemeral self”, and how you perceived them when you see their objects in their most private space: bedroom. Reaching this final concept was quite a challenge for the three of us since we all had a lot of ideas, but we were confused about putting it out there. The three of us speak different languages and English is not our mother tongue. Even on the shooting day, we had a brief discussion on how the video would turn out. So we decided to get a lot of footages and compromised when we edit the video afterwards.

Plan for the shoot

The shoot for our object story took place at The Costume Store, an accommodation own by UAL. Jack recorded the video, while Yve and I directed the talent and set the room. The muses, Sophie and Timami, helped us with the styling and makeup. We took a lot of footages, including the detail of the objects.

A behind the scene snap!

The shoot went smoothly, and we went straight to editing the day after. Jack contributed his ideas of how the output would be, while Yve and I edited the video separately, but with similar editing. We got inspired by one of the films showed by Vicky in the class (I can’t remember the title, I’ve been searching for it on Youtube but I can’t find it) about a man who brings out women from behind his umbrella. The technical way of cutting the clip, put another clip, and back to the first clip to create an element of surprise. We put moody/ ambience sound to better enhance the scene. I found a site called epidemicsound.com that has a lot of cool sound effects to use for free.

The last thing we do is colouring the video. We agreed on colouring the videos in a different colour to emphasize each persona. We also added the credits as it is important to mention all the people involved in the creation.

Coping with Culture Shock.

The object that I chose for the object story is a bottled water.

Before I came to the UK, I didn’t thinking much of any cultural differences that I’d probably face. When I first arrived in London, I realized that there are no douche spray in the toilet. In the past, I’ve been visiting some other countries that also don’t have douche spray in their washroom. And since I usually went for a short time, I’ve never felt like it’s something bothersome. Yet this time, I’m going to live with it.

Photo example of a douche spray

Douche spray is common in Indonesia. It’s a standard for a toilet as they have this in every loo you’ll get into. At some remote places, they have a bucket filled with water and water dipper. So it came as no surprise for me, who have lived 24 years with water-equipped restroom, to have major cultural shock. That’s why, to cope with the situation, I usually bring a small (500ml) bottled water with me or wet the toilet paper beforehand.

Example of a toilet in remote area in Indonesia

I was asked if having douche spray is just something I’ve been living with and accepted my whole life? I had an assumption before: since it’s usually something common for a country with many Moslems, it’s probably derived by religious factor (I saw douche spray in Istanbul, Turkey and some classmates from India said they have it in their country). I searched for some information and turned out that using water to clean yourself is one of the Islamic Toilet Etiquette and as a Moslem majority country, Indonesia has been using it since forever. Water used daily to clean our body, notably the Wudhu ritual before offering prayers. This means if we go to the lavatory and not clean our self with water, we’re not allow to pray. There are several rules to this etiquette, including going into the bathroom with the left feet and leaving it with the right feet, remain silent, and not to eat anything inside. One should wash one’s hands before leaving as well. I know that these regulations exist, yet I forget the fact that it’s Islamic etiquettes.

P.S. While researching about the etiquettes, I found something interesting that would probably change my life for the better:

Yes! A portable douche spray! It’s a thing! I don’t know if it’ll make me more comfortable or not but I’m ordering one for myself. Fingers crossed!